Rete Bibliotecaria Bergamasca

Abstract: Ornaments are omnipresent - they can be found on buildings, fabrics, jewelry, tiles, ceramics and wallpaper. Scorned at the beginning of the modern age, ornament has long since returned to architecture and influences design drafts as much as tattoo motifs. In New Grammar of Ornament, Thomas Weil compares current ornamental objects with the results of archaeological research on ornamental artifacts and concludes that there is an anthropological constant. From the recurring arrangements of stripes, rectangles, triangles and dots and the frequency of the forms of floral ornaments used, he derives a new "grammar of ornament." More than 160 years after Owen Jones' influential publication, New Grammar of Ornament is a new standard work. It categorizes the variety of ornamental forms used worldwide and for the first time places them in a major art and cultural-historical context

Abstract: Sources in the Air accompanies David Maljkovic’s three-part exhibition of the same name at the Van Abbemusem, Eindhoven, BALTIC Centre for Contemporary Art, Gateshead and GAMeC, Bergamo. Including films, sculpture, collage and installations from the past ten years, Sources in the Air is the artist’s most comprehensive survey to date.

Abstract: Traditional and whimsical designs to fit any taste are featured in this book of table décor for any time of year. Table toppers are a great way to make everyday meals feel like special occasions, and the themed sets in this guide reflect the four seasons plus Christmas through 20 easy-to-make projects, including table runners, placemats, napkin rings, coasters, and other accessories. The patterns make use of fat quarters, small pieces of fabric stash, and appliqué accents and can be customized to match any color scheme.

Abstract: This volume investigates identity traits in academic discourse. Its main purpose is to better understand how and to what extent language forms and functions are adapting to the globalisation of academic discourse. Key factors of verbal behaviour such as the affiliation of actors to one or more cultures have been found to interact, producing transversal identities that are independent of local traits, with a tendency to merge and hybridise in an intercultural sense. The volume consists of three main parts: The first deals with identity traits across languages and cultures, as the use of a given language affects the writing of a scholar, especially when it is not his/her native language. The second comprises investigations of identity features characterising specific disciplinary communities or marking a differentiation from other branches of knowledge. The third part of the volume deals with identity aspects emerging from genre and gender variation

Abstract: The focus of this volume is on the business letter genre, a seminal and widely used genre in business communication. Since the introduction of the Internet, interest in this genre has increased once again, because of the digital format of the letter. E-mail has partially taken over the multiple functions of the traditional business letter and bypassed, again partially, the fax. However, the letter has also survived in its written form. Since the 1990s, genre theory has been receiving a lot of attention, both in academic and pedagogical circles. Discourse analysts have increasingly discovered the importance of the genre concept for the understanding of discourse. Not only do we get a better understanding of the linguistic characteristics (register, lexico-grammatical features) of texts, but we also become aware of their macrostructures which appear to be organised according to genre expectations and conventions rooted in the socio-cultural context. This evolution is also reflected in the different research approaches to the business letter, as shown by the various chapters of this volume