Rete Bibliotecaria Bergamasca

Abstract: When Billy Summers was twelve years old, he shot and killed his mother's boyfriend after he kicked Billy's sister to death. At 17, he enlisted in the army. At 18, he was a sniper in Iraq and involved in the deadly battle to recapture Fallujah. For nearly twenty years, he's worked as a paid assassin. He's a good guy in a bad job, and he wants out. He takes on a very complicated, very lucrative job that he hopes will be his last. He's got a perfect new identity lined up and a scrupulously orchestrated, flawless escape plan. And then something happens that changes everything for Billy

Abstract: Ci sono diversi modi di dire, quando si parla di notizie, e sono tutti leggendari: «Sbatti il mostro in prima pagina», «Fa più notizia Uomo morde cane che Cane morde uomo» e naturalmente «Se scorre il sangue, si vende». Nel racconto di King che dà il titolo a questa raccolta, è una bomba alla Albert Macready Middle School a garantire i titoli cubitali delle prime pagine e le cruente immagini di apertura dei telegiornali. Tra i milioni di spettatori inorriditi davanti allo schermo, però, ce n'è una che coglie una nota stonata. Holly Gibney, l'investigatrice che ha già avuto esperienze ai confini della realtà con Mr Mercedes e con l'Outsider, osserva la scena del crimine e si rende conto che qualcosa non va, che il primo inviato sul luogo della strage ha qualcosa di sbagliato. Inizia così "Se scorre il sangue", sequel indipendente di "The Outsider", protagonista la formidabile Holly nel suo primo caso da solista. Ma il lungo racconto dedicato alla detective preferita di King (come scrive lui stesso nella sua nota finale) è solo uno dei quattro che compongono la raccolta. Da "Il telefono del signor Harrigan", dove vita e tecnologia si intrecciano in modo inusuale, a "La vita di Chuck", ispirato a un cartellone pubblicitario, fino a "Ratto" - che gioca con la natura stessa del talento di uno scrittore - le storie di questa raccolta sono fuori dagli schemi, a volte sentimentali, forse anche fuori dal tempo. In una parola, kinghiane.

Abstract: To the children, the town was their whole world. To the adults, knowing better, Derry, Maine, was just their home town: familiar, well-ordered, a good place to live. It was the children who saw-- and felt-- what made Derry so horribly different. In the stormdrains, in the sewers, It lurked, taking on the shape of every nightmare, each person's deepest dread. Sometimes It reached up, seizing, tearing killing ... The adults, knowing better, knew nothing. Time passed and the children grew up, moved away. The horror of It was deep-buried, wrapped in forgetfulness. Until the grown-up children were called back, once more to confront It as It stirred and coiled in the sullen depths of their memories, reaching up again to make their past nightmares a terrible present reality.

Abstract: A terrible construction site accident takes Edgar Freemantle's right arm and scrambles his memory and his mind, leaving him with little but rage as he begins the ordeal of rehabilitation. A marriage that produced two lovely daughters suddenly ends, and Edgar begins to wish he hadn't survived the injuries that could have killed him. He wants out. His psychologist, Dr. Kamen, suggests a "geographic cure," a new life distant from the Twin Cities and the building business Edgar grew from scratch. And Kamen suggests something else. "Edgar, does anything make you happy?" "I used to sketch." "Take it up again. You need hedges ... hedges against the night." Edgar leaves Minnesota for a rented house on Duma Key, a stunningly beautiful, eerily undeveloped splinter of the Florida coast. The sun setting into the Gulf of Mexico and the tidal rattling of shells on the beach call out to him, and Edgar draws. A visit from Ilse, the daughter he dotes on, starts his movement out of solitude. He meets a kindred spirit in Wireman, a man reluctant to reveal his own wounds, and then Elizabeth Eastlake, a sick old woman whose roots are tangled deep in Duma Key. Now Edgar paints, sometimes feverishly, his exploding talent both a wonder and a weapon. Many of his paintings have a power that cannot be controlled. When Elizabeth's past unfolds and the ghosts of her childhood begin to appear, the damage of which they are capable is truly devastating. The tenacity of love, the perils of creativity, the mysteries of memory and the nature of the supernatural.