Rete Bibliotecaria Bergamasca

Abstract: Fear no more the heat of the sun.' Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith isyoung, poor, and driven to hatred of himself and the whole human race. Yet bo.

Abstract: For years now the Ramsays have spent every summer in their holiday home in Scotland, and they expect these summers will go on forever; but as the First World War looms, the integrity of family and society will be fatally challenged. To the Lighthouse is at once a vivid impressionist depiction of a family holiday, and a meditation on a marriage, on parenthood and childhood, on grief, tyranny and bitterness. Its use of stream of consciousness, reminiscence and shifting perspectives, gives the novel an intimate, poetic essence, and at the time of publication in 1927 it represented an utter rejection of Victorian and Edwardian literary values.

Abstract: When Mrs Ramsay tells her guests at her summer house on the Isle of Skye that they will be able to visit the nearby lighthouse the following day, little does she know that this trip will only be completed ten years later by her husband, and that a gulf of war, grief and loss will have opened in the meantime. As each character tries to readjust their memories and emotions with the shifts of time and reality, this long-delayed excursion will also prove to be a journey of self-discovery and fulfilment for them. Rich in symbolism, daring in style, elegiac in tone and encapsulating Virginia Woolf's ideas on life, art and human relationships, To the Lighthouse is a landmark of twentieth-century literature and one of the high points of early Modernism.

Abstract: Fear no more the heat of the sun.' Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith isyoung, poor, and driven to hatred of himself and the whole human race. Yet bo.

Abstract: As his tale begins, Orlando is a passionate young nobleman whose days are spent in rowdy revelry, filled with the colorful delights of Queen Elizabeth's court. By the close, he will have transformed into a modern, 36-year-old woman and three centuries will have passed. Orlando will witness the making of history from its edge, dressing in the flamboyant fashions of each day, following passing customs, and socializing with celebrated artists and writers. Orlando's journey will also be an internal one—he is an impulsive poet who learns patience in matters of the heart, and a woman who knows what it is to be a man. Virginia Woolf's most unusual and fantastic creation, Orlando is a funny, exuberant tale that examines the very nature of sexuality.

Abstract: Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith.

Abstract: Edizione integrale in lingua inglese.

Abstract: The Voyage Out (1915) is the story of a rite of passage. When Rachel Vinrace embarks for South America on her father's ship she is launched on a course of self-discovery in a modern version of the mythic voyage. Virginia Woolf knew all too well the forms that she was supposed to follow when writing of a young lady's entrance into the world, and she struggled to subvert the conventions, wittily and assiduously, rewriting and revising the novel many times. The finished work is not, on the face of it, a `portrait of the artist'. However, through The Voyage Out readers will discover Woolf as an emerging and original artist: not identified with the heroine, but present everywhere in the social satire and the lyricism and patterning of consciousness.

Abstract: Fear no more the heat of the sun.' Mrs Dalloway, Virginia Woolf's fourth novel, offers the reader an impression of a single June day in London in 1923. Clarissa Dalloway, the wife of a Conservative member of parliament, is preparing to give an evening party, while the shell-shocked Septimus Warren Smith hears the birds in Regent's Park chattering in Greek. There seems to be nothing, except perhaps London, to link Clarissa and Septimus. She is middle-aged and prosperous, with a sheltered happy life behind her; Smith isyoung, poor, and driven to hatred of himself and the whole human race. Yet bo.